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https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480266743970-OEHIC2KZ2DBI33XAPPFK/MylesLorenzo6.jpg Grid - MylesLorenzo, 2016, linen and cotton https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480266757463-C032KAFXCGD05I2ZXG5J/MylesLorenzo17.jpg Grid - MylesLorenzo, 2016, linen and cotton https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480267423608-RYIUI402VYWHPGEY9FUH/EvieGross3.jpg Grid - Dolly Dystopia #4 (detail), 115”x 25”x 15”repurposed Gloria furniture, repurposed Monster High doll, acrylic paint, paper clay, glitter https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480267438000-93BBKPNGUYEI6Q4XCY6S/EvieGross2.jpg Grid - Dolly Dystopia #4 (detail), 115”x 25”x 15”repurposed Gloria furniture, repurposed Monster High doll, acrylic paint, paper clay, glitter https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480267454005-MEUTXDVQ5QBCV9S21ZM5/EvieGross1.jpg Grid - Dolly Dystopia #3 (detail), 115”x 25”x 15” repurposed Gloria furniture, repurposed Monster High doll, acrylic paint, paper clay, glitter https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480267471089-BM3II6A70LNUQEZEBZ8P/EvieGross5.jpg Grid - Dolly Dystopia #1 (detail), 115”x 25”x 15”repurposed Gloria furniture, repurposed Monster High doll, acrylic paint, paper clay, glitter https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480281947533-HB5YCYMUVFEMT4QOAEFL/13.%2BStar%2BCyle%2BGallery%2BInstall.jpg Grid - Star Cycle Gallery Install Hand Dyed and Hand Woven Mercerized Cotton22 in. x 125 in https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480281980107-9HOT2VRURA0UAUDW92ZX/15.%2BPillars%2Bof%2BCreation.jpg Grid - Pillars of Creation, Hand Painted and Woven Mercerized Cotton 48" x 36" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480282002479-YWYF5VKCE9OFKHD2QYYM/17.%2BNebulous.jpg Grid - Nebulous, Hand Painted and Woven Mercerized Cotton 48" x 36" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480282024570-UKQKEIWROENLE7B63RLW/19.%2BSupernova%2BInstall%2BShot.jpg Grid - Supernova, Hand Painted and Woven Mercerized Cotton 90" x 36" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480268597980-VWBZ0KDPGQSHL9XOQUQ5/Renee+Zagorski+20.jpg Grid - OutdoorOrigins Event 3, May 8th 2016, Loose Park, Kansas, City Missouri https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480268636211-P8LY4360M56GGMBU7V6Q/Renee+Zagorski+19.jpg Grid - OutdoorOrigins Event 3, May 8th 2016, Loose Park, Kansas, City Missouri https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480268666210-AI68AMWGFOEND9LHIP9Y/Renee+Zagorski+18.jpg Grid - OutdoorOrigins Event 3, May 8th 2016, Loose Park, Kansas, City Missouri https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480268809823-DUDURPWH2QO7RNLGA0EU/IMG_7790.JPG Grid - OutdoorOrigins Event 3, May 8th 2016, Loose Park, Kansas, City Missouri https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480268900235-4K8IP4VX65262VI73Q1T/StubbzImage01.jpg Grid - Sinking CirclesWool yarn, lastercut recycled canvas; 8”X10”; 2015 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480268925343-3HOJMTK7QQI1PR8EN3JF/StubbzImage17.jpg Grid - HOMESLICE, Multimedia Installation; 2016 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480268932388-CTTQ0PB1DZT5H1UD7VXT/StubbzImage15.JPG Grid - HOMESLICE (detail), Multimedia Installation; 2016 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480268939086-ZZ2Y01UHQWIA3KWXW6XH/StubbzImage14.jpg Grid - Fruit of the Loin (Detail)Hand painted silk charmeuse, thread; dimensions vary; 2016 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480276078036-0H1BPM61NC19HS816M5F/68_Awards_Adrian_Max.jpg Grid - Act II, Scene I: Outcry, pleather, 2015, chainette fringe, 32 x 32 x 90 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480276089636-3823N352UW905JWOXNDP/Adrian_Max1.jpg Grid - Act II, Scene I: Outcry (detail), pleather, 2015, chainette fringe, 32 x 32 x 90 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480276379952-UUQUQ59M43FWN2YGFJDU/editball.jpg Grid - The Germination Ball of Cosmic Pleasure (in action), 2014 pleather and tassels, 12 x 12 x 12 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480276468686-P65RN4235NJ15YQA05EO/germball.jpg Grid - The Germination Ball of Cosmic Pleasure, 2014 pleather and tassels, 12 x 12 x 12 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480277142752-KSIYNWSFHJK751959UT4/Beltowski.jpg Grid - The Heroine That Took My Boys Down https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480277161283-IJMWEEL23087QY0PQYNA/Beltowski-5.jpg Grid - Play Book https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480277207119-MFWR72SD2XT8Z9NFSRXJ/Beltowski-4.jpg Grid - Bench Warmers https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480277222901-QRG7WVINLMHR4O3MKUKM/Beltowski-3.jpg Grid - Suit Up https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480277571438-1NTLGZZ0CBPLEPWPZGMN/you+gonna+be+religious+or+nah.jpg Grid - You Gonna Be Religious or Nah, digital collage https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480277590253-OOYASEIJM7VPOP7MHEKW/yas.png Grid - Yas, digital collage https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480277599018-6ZLWFQCG8TT23GFOF19W/cookin%27.jpg Grid - Cookin' Time, digital collage https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480277620270-CFNR7WYKSAI9JFJC8WKY/we%27rebusy.jpg Grid - We're Busy, digital collage https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480278065953-Y3ZWXC0STQ3Y39BCMJ8T/Image1.JPG Grid - Cultivate (detail); live tomato plants, handmade paper (denim, abaca), potting soil; 2015; 112” x 12” x 30" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480278071947-J5EZHV8FOIYIZSM64P1S/Image13.JPG Grid - Cultivate (detail); live tomato plants, handmade paper (denim, abaca), potting soil; 2015; 112” x 12” x 30" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480278128148-6Z1ILVPHRW1M2XL9WCD0/Image4.JPG Grid - A Quilt for the Future (detail); repurposed jeans, cotton fabric, MX dye, cotton batting, polyester thread; 2015; 60” x 96" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480278080208-OHZQ9CWWIPR2Y2BV9N5L/Johnson2KCAI.jpg Grid - Patchwork Paper(detail); 2015; handmade paper (repurposed denim, abaca); 48” x 72” https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480278768013-PT923LHA4CLDFOEOLNG1/11_Leth_Nicole.jpg Grid - Sex & Ice Cream SS15 Lookbook, 2015, embroidered neoprene crop top https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480278773480-HZGD11AMFQ58D2LAVZFH/12_Leth_Nicole.jpg Grid - Sex & Ice Cream SS15 Lookbook, 2015, hand painted denim joggers https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480278786719-0H5G4STF5USVJ1LG0PFV/10_Leth_Nicole.jpg Grid - In Memory of When I Cared, 2014, hand painted neoprene https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480278777923-QPKTS5ZCKCF0I6WE3CXA/13_Leth_Nicole.jpg Grid - Sex & Ice Cream SS15 Look book, 2015 hand painted neoprene dress https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480279661902-1D4HTV40DY8TSARXF22W/caterpillars.jpg Grid - Caterpillars, 2015, mixed media https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480279679125-UASPNJRXQCRP44K6F89C/caterpillars+detail.jpg Grid - Caterpillars (detail), 2015, mixed media https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480279694202-RQKM583R137AFFCND845/blob.jpg Grid - Blob, 2014, mixed media https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480279713358-TSYD84MGS7P9AVJDJFMO/particle+display.jpg Grid - Particle Display, 2014, mixed media https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480280153446-IK2HPGO6SFN6FJMBRKNN/2.+Kadie+Nugent-2.jpg Grid - Laundry Day Was Last Week, 2015, mixed media installation https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480280158167-2VUM7Q0PI9ZSI6DETABQ/1.+Kadie+Nugent.jpg Grid - Laundry Day Was Last Week, 2015, mixed media installation https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480280210519-ENZCPFPVB831W0JNTSIQ/Nugent_21.jpg Grid - Please Sweep, detail; 2015; marker and fabric; variable https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480280228552-PNV4E454WC44133OK67D/Nugent_22.JPG Grid - Please Sweep (detail), detail; 2015; marker and fabric; variable https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480280619764-84VIXY9SHH7JB3B93CBA/Aneesa+Shami_Image3.jpg Grid - Let The Flood https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480280625747-RPB1I9VYQJT17P1CYARW/IMG_8843%2Bcopy.jpg Grid - Dust to Dust https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480280644356-H6UCDOUO04WEMH86YHV7/IMG_8913.jpg Grid - An Exodus https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480280729239-Z389OCGWEGTO40EHSUYB/Aneesa+Shami_Image1.jpg Grid - Manifesto https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480281298862-BFCG6HIAGXDQPGQML60A/mlookbook2.jpg Grid - s/s ’15 Lookbook Image https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480281309286-632A4H7SIGDP6JQUIV9I/mlookbook5.jpg Grid - s/s ’15 Lookbook Image https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480281331885-EP79F5HZM96XJ3KAUB0H/Ventura_Image24.jpg Grid - s/s ’15 Lookbook Image https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480281341517-JQEOEQ7OUOBDP9TTGWKD/Ventura_Image23.jpg Grid - s/s ’15 Lookbook Image https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480283623624-YMG65OXU025C27I7LSIJ/Untitled-1.jpg Grid - Hanes of Samothrace, 2014, wood, plaster, and t-shirt, 38 x 25 x 15 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480283628344-CI26789WMCPJBVCZJ2RU/Untitled-2.jpg Grid - The Weight of Falling, 2014, wood, plaster, and sand, 110 x 24 x 54 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480283632707-V53ZBAUMCMWG5LTES5KE/Untitled-3.jpg Grid - Bulge #2, 2014, plaster and pedestal, 50 x 8 x 6.5 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480283636854-DAFF1O52OTK1D9G01K6T/Untitled-4.jpg Grid - Weight / Balanca, 2014, wood, sand, felt, and glass, 96 x 72 x 60 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480283978124-U4L12K4NUYB1EQ9ZHVZ7/Blaser_Image02.jpg Grid - Wallpaper (still); 2013; Digital Video and Animation; 1:46. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480283986016-206EL3Z4QP00ZFN8LRI7/Blaser_Image11.jpg Grid - Side Step (still); 2013; Digital Video and Animation; 0:04 (Looped) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480283992417-V09GCF8LCPDX2NRYPGV0/Blaser_Image06.jpg Grid - Orbit (still); 2013; Digital Video; 3:30 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480283999599-88LFU5A1BKAPAKAFJEX5/Blaser_Image04.jpg Grid - Entrapment (still); 2013; Digital Video; 1:10 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480284320746-GSB8PLTW0P2OVYDBQ74K/Brock_popjizz_2013.jpg Grid - Pop Jizz https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480284327031-G432PNOC9D6D4AY8M8KS/Brock_eatmeout2_2013.jpg Grid - Eat Me Out https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480284343250-5ABKS766AN641HA0XVP4/Brock_Brockscake_2013.jpg Grid - Brock's Cake https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480284348831-H367CFEDSX2WEJILQCU3/Brock_aftermath_2013.jpg Grid - Aftermath https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480284875780-5RH460AZDGJQJX98YF6Q/Brooks-5.jpg Grid - Bang Cut; 2014; cotton & synthetic-hair; 27” X 6.75” https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480284890013-MJ296ZDELN8E14UR0RYT/Brooks-6.jpg Grid - Bang Cut (detail); 2014; cotton & synthetic-hair; 27” X 6.75” https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480284955949-AYJFJTCR80ZQ9CDUA2AJ/Brooks-3.jpg Grid - Squa-Plaits; 2014; cotton & synthetic-hair; 25” X 10” https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480284966011-FSDVS3C401IOPN0LHSAF/Brooks-4.jpg Grid - Squa-Plaits (detail); 2014; cotton & synthetic-hair; 25” X 10” https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480285404400-7KZKCSQCX5IN8T3I9LII/CamorlingaEvander01.jpg Grid - Knitted Space, 2013, tencel, 108 x 72 x 12 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480285408556-78YYJIWY7W1OX49S4R3L/CamorlingaEvander02.jpg Grid - Knitted Space (detail), 2013, tencel, 108 x 72 x 12 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480285410553-6H0OC3RHEK3YA40TQHVS/CamorlingaEvander07.jpg Grid - Woven Study, 2013, tencel, 51 x 18 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480285418196-2JKM0DCQL9SFT5SX16ZJ/CamorlingaEvander09.jpg Grid - Woven Study (detail), 2013, tencel, 51 x 18 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480285653765-94EM30SIZS26H7OOHK9B/7.jpg Grid - Limbo; 2014; inkjet print; 20” x 20” https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480285658202-1XPBH9J6QN9FR1VUL15Y/9.jpg Grid - Stage No. 4; 2013: inkjet print; 8” x 9.8” https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480285664261-AQ0DGLWZE1YVSVWLLGXN/6.jpg Grid - Body Collage No. 2; 2013; inkjet print; 8.5” x 5.5” https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480285670706-LPXNR1TC3RLNBP3AWQZT/3.jpg Grid - Mirage; 2013; model, paper, plastic backdrop, found hat, mesh, vinyl shirt, acrylic paint, vinyl skirt, spandex shorts, Mylar; 48”x65”x40” https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480285909634-TRFJAXU86G6Y8QSP5HM1/blue.jpeg Grid - blue, green, and red, 2014, hand dyed cotton, 6’ x 6.5’ https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480285915842-YXI0YDBSWGRQGKB26IIU/quilted+composition.jpg Grid - quilted composition,2014, hand dyed cotton and acrylic on cotton, 7’ x 4.5’ https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480285924209-CANXT7WJCZ3CV8V7W83C/painted+grid+II+detail.jpg Grid - painted grid i, 2014, hand dyed cotton and acrylic on cotton, 3’ x 2.5’ https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480285925612-F2RR3XY0MA82DIS4E4F1/self+with+circles.jpg Grid - self with Simultaneous Circle i, ii, 2014, hand dyed cotton and acrylic on cotton, 3.5’ x 3.5’ https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480302525646-PEHW1TK76UZ0TCKUKSKX/Jolicoeur6_Untitled.jpg Grid - Installation view https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480302526125-XFC2C8JECP0RJMYUWQXN/Jolicoeur7_+Nous+Assame.jpg Grid - Assame https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480302530994-81G08V1LS0FKID5VV1UY/Jolicoeur8_Panser+copy.jpg Grid - Panser https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480302530203-7T6JMHAETD2WSA896EVY/Jolicoeur10+copy.jpg Grid - Panser & Unplanted Seeds (installation view) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480302724940-XR4XM8QG2D6FPXMTI1ZX/09+Phantasmagoria+Fill+Still+3.png Grid - Phantasmagoria Film Still 3, stop motion animation, 2014 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480302726800-6TRCOCONBYLZOYG0LK49/10+Phantasmagoria+Fill+Still+4.png Grid - Phantasmagoria Film Still 4, stop motion animation, 2014 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480302727731-ZWDLSIGMBGKR8MPNKB5Y/11+Phantasmagoria+Fill+Still+5.png Grid - Phantasmagoria Film Still 5, stop motion animation, 2014 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480302730794-PWUQ191Q3HRY5CXVE0ER/12+Phantasmagoria+Fill+Still+6-2.png Grid - Phantasmagoria Film Still 6, stop motion animation, 2014 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480302876627-J3QDMDAKOTDCD9J6O748/4.jpg Grid - Here III, 2013, photo transfer on paper, gouache, pen, graphite, and charcoal, 7.5" x 11" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480302873211-89SJ69NQQSH7M471NL5Y/5.jpg Grid - Spaces I, 2013, gouache, pen, and embroidery floss, 10" x 12.5" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480302874578-4MIZX832KIYGRBBK0N8K/7.jpg Grid - Spaces II, 2013, gouache, pen, and embroidery floss https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480302879613-8WVQIOIL8AERYN02LHQO/9.jpg Grid - At Rest, 2013, gouache, pen, charcoal, and embroidery floss, 10" x 11" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480303871556-MQKD5ZP7DRBUHB08L7Y3/08_180_Hours.jpg Grid - 180 Hours: Lace, 2013, hand knit tencel, 36” x 36" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480303876173-OH0PLRWD330BEU82M9L3/13_England.jpg Grid - England, 2012, hand knit sweater, 3”x 3" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480303876136-UGC4TA3CVSH53ZGEK83T/15_Ireland.jpg Grid - Ireland, 2012, hand knit sweater, 3”x 3" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480303876415-79PZJRATC6JF3UXNEW09/17_Norway.jpg Grid - Norway, 2012, hand knit sweater, 3”x 3" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480303320538-KAWG0PRPX5SGL675F8AW/004.png Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480303320152-4XMRAJRBU4MBVR70N38Y/005.png Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480303320771-VH8O3TH4JPGWK6C4H6AX/006.png Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480303322459-X1AVZR4QET9QNTGEVQMB/007.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480304144134-VT5QD14AEBQ1ZT8MD29H/RosenbaumMax03.jpeg Grid - Paracosm Landscape; 2014; fiberglass, silicone; 32"x32" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480304144453-5KHM5Q5QXUWL49QMNH26/RosenbaumMax04.jpeg Grid - Paracosm Landscape (detail); 2014; fiberglass, silicone; 32"x32" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480304145529-77NSNGQRGJTVAXUX1NCM/RosenbaumMax07.jpg Grid - Northern Paracosm Landscape; 2014; silicone, metal, fiberglass; 20"x16" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480304145969-725HY6VI7VKAIUEL4KW7/RosenbaumMax09.jpg Grid - Landscape 1; 2014; silicone, fiberglass; 14"x18" https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480304364903-NI4IEPGE1USLXL5TH34S/Picture4.png Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480304363573-YHCGYY2JYE9QNETF1WAI/Picture2.png Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480304363544-0J5KSF5JX7Q2BKVEHYQF/Picture1.png Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480304364927-PTJ4LYDDTEO37GXCDG0U/Picture3.png Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480303126514-OKZDRN9RW74LZKRJ7EN5/Sobchak_Lauren_Image05.jpg Grid - Sea Trough, 2013, hand woven, hand dyed, wool and tencel, dimensions variable https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480303127846-TKZGOV52FEQH5089BICB/Sobchak_Lauren_Image06.jpg Grid - Sea Trough (detail), 2013, hand woven, hand dyed, wool and tencel, dimensions variable https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480303127718-FLPLSS5G5P712PUMG2XK/Sobchak_Lauren_Image10.jpg Grid - Dusk, 2012, hand woven, hand dyed tencel, sewing pins, 51” x 101” https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480303129648-FECJZS9487UZGY17LZ02/Sobchak_Lauren_Image11.jpg Grid - Dusk (detail), 2012, hand woven, hand dyed tencel, sewing pins, 51” x 101” https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480304688052-2FP9KMS0X94RTTGTN6SE/Young_Image_1.jpg Grid - What Goes Around Comes Around, 2014, quilted cotton, appliqué, 64”x46 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480304686913-T5FJQ69AP36LE82WPKAP/Young_Image_2.jpg Grid - Learn From The 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https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1588644766494-2TCGEWV3FPQKL6Q5TH76/large_LizaLou_lores.jpg Grid - Making Knowing: Craft in Art, 1950–2019 Whitney Museum of American Art https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1554991964233-52OW30LVDXV65WLNR8E1/sonya-clark-monumental-cloth-fabric-workshop-9.jpg Grid - Sonya Clark Sonya Clark “Many” (2019) Image from Hyperallergic https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1588783621135-T5O83NMK2L0WFBKH9T85/IMG_9563-aguiniga-libby-weiler.jpg Grid - Disrupting Craft Renwick Invitational 2018 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1543853647211-UEDJEAQAKBTDW4C3YYT6/image-asset.png Grid - Burke Prize 2018 Winners announced by Museum of Arts and Design (MAD) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/f01e513f-87fc-4e14-8e1d-ca3907f1bb31/H%C3%B9ngL%C3%AA.jpeg Grid - My Mother's Tongue Ties Me Together Hùng Lê 2022 Fiber Alumni, is a 2025 recipient of the Charlotte Street Visual Artist Award. The Spencer Museum of Art is hosting the exhibition My Mother's Tongue Ties Me Together featuring the selected artists for 2025: Noelle Choy, Hùng Lê, and Merry Sun. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/cdfef9bc-a88a-4059-af99-4944c4722c00/Paige_beltowski_.webp Grid - Paige Beltowski 2015 Fiber alumni is a Emmy-winning designer and tailor for Hollywood stars and iconic film productions. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/3519f369-29e5-485b-87a5-1e74df93a989/Nathan+Ford.jpg.webp Grid - Artist to Watch: Nathan Ford Fiber 2022 alumni, Nathan Ford featured in KC Studio Magazine https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1635950801012-KOKH52VXNUECA3QG71T0/web-img-3757-kcmagazine-paulinaotera-samanthphotography-1536x1024-1.jpeg Grid - “How Architecture And Textiles Influence Contemporary Jewelry Artist Paulina Otero.” Fiber alumna, Paulina Otero (Fiber ‘20), was featured in Kansas City Magazine in the article “How Architecture And Textiles Influence Contemporary Jewelry Artist Paulina Otero.” Congratulations, Paulina! https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1612969096120-ICCZ7V4NYV6V0C53MO3I/Aneesa3.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1612969096210-9ESP8FIGRQTTN8GALQWG/Aneesa2.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1612969096932-2STK5V2VPUMDW0WVEFCK/Aneesa1.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589331045660-3Q8UEB8N1C7HOD2YBKYS/image-asset.jpeg Grid - KADIE NUGENT (Fiber ‘15) Thesis Exhibition at KU School of Arts To learn more check out this article about her research. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1586895742412-QPFXKBZ42CIUFORBGMJX/IMG_0405-Anna-Van-Gheem.jpg Grid - Anna Van Gheem (Fiber ‘17) Featured on Spoonflower Spotlight https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1553182179606-3YVSE60J3JGGK49NSHVY/boiboyhole.jpg Grid - 2019 CSF Visual Artist Awards: Boi Boy (Fiber ‘16) Charlotte Street Foundation announces Boi Boy (Fiber 2016) as one of the recipients of the 2019 Visual Artist Awards. Excited to see what they make for the Kemper Museum of Contemporary Art Fall 2019! https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1543855475748-BKVNFLAMPPOR2F3KS4RZ/imeet-lexiemillikan-8-685.jpg Grid - Interview With Lexie Abra Millikan (Fiber ‘15) Lexie Abra Millikan, 2015 alumna and former Fiber Technician and Lecturer, is the new Executive Director at the Yeiser Art Center in Paducah, KY. Congratulations Lexie! https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1554128007020-GI25C8IFMLA9G9V1BKK8/makingdo_exhibition1.jpg Grid - Making Do by Lizzie Green (Fiber ‘17) An exhibition of site-specific quilted and pieced works of interior spaces made by Lizzie Green (Fiber 2017) at Open House - September 29th—October 27th 2017 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1543868436572-WCNKOMRQFQ724RONF682/shenequa.jpg Grid - Shenequa Brooks (Fiber ‘14) Awarded Young Arts Fellowship image from shenequaabrooks.com https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589332468144-WCSVUJQUTOOTMFBZ7S63/Max4.jpg Grid - In Conversation: Max Adrian (Fiber ‘15) Interview with Fiber Alumni, Max Adrian, 2017-2018 Arrowmont Artist-In-Residence https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589332191292-FWJCNQWT0REK6U7UT2KH/Johnson_Rugmaker%27s_02.jpg Grid - The Rugmaker’s Daughter: A solo exhibition Lexie Abra Johnson (Fiber ‘15) Read a review of her solo exhibition at PLUG Projects on Informality Blog https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/a321ba57-7477-4eea-8afe-3057da9be43c/DSC00456-2.jpg.webp Grid - Marie Bannerot McInerney feature in Summer 2025 issue of Hand Papermaking Artist and educator Marie Bannerot McInerney discusses the process of installing a recent site-specific installation, Falling Into Milk. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/7942ad05-94e7-4a3a-b911-db694c55b58c/ART_Kim-Eichler-Messmer.jpg Grid - An Interview with Kim Eichler-Messmer Fiber Artist Kim Eichler-Messmer Answers Four Questions https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/0c8037c2-bba7-4d4b-ba5e-2dcb27da4ef8/Open+Work.jpg Grid - Senior Professor Pauline Verbeek-Cowart: Featured in Norway exhibition DIGITAL weaving Norway’s 25th anniversary of the TC loom series and a conference of world leaders in Jacquard Weaving https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/6328f6ba-cfe2-41cc-8fe9-9151bcb80e08/Marie-with-Trace-Me-Back-2.jpg Grid - Marie Bannerot McInerney: 2024 Stone & DeGuire Contemporary Art Award Professor Marie Bannerot McInerney was honored with the prestigious award presented by the Sam Fox School at Washington University. Read more about Marie and the other recipients here. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/ce678e25-7316-46a5-9bcc-da7ffc88057a/ice%2Bpalace.jpg Grid - Kim Eichler Messmer receives first prize in quilt exhibition Associate Professor Kim Eichler Messmer received first prize for her quilt Ice Palace in the Schweinfurth Art Center exhibition Quilts=Art=Quilts 2023. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/5ff66feb-fcb9-4bd1-9ee0-b187e75ecb91/42107161931-Media-01.jpg Grid - TRACE ME BACK Professor Marie Bannerot McInerney’s immersive exhibition, Trace Me Back, enveloped audiences at Crystal Bridges Museum of American Art with silk, sound, and light. Press for the exhibition was also featured by KCAI and in a review of the exhibition in Burnaway. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589061698808-1QQQ3A7HEPLSML4FGC62/image-asset.jpeg Grid - AMoA Biennial 600 Assistant Professor Marie Bannerot McInerney exhibits work at the Amarillo Museum of Art https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589890137227-IE7N05WVWDR0SV94395U/shiboridye Grid - Kim Eichler-Messmer designs fabric line for Paintbrush Studios Based on Kim’s hand dyed shibori fabrics, Shibori Dye is digitally printed and available in quilt shops nationwide. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589060340119-LWGVT7CDU3QGSNJN24CY/Detail%2B1.jpg Grid - Studios Inc awards residency to Marie Bannerot McInerney Assistant Professor Marie Bannerot McInerney is awarded a studio at Studios Inc. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589829936677-QATNDRKY6GJCZQKBOUBO/20191216_DSC0028.jpg Grid - Natalie Spicker and Brittany Boynton’s interactive scrapbook for First Date First Date—a co-curated exhibition between Open House and The Granite City Art and Design District—features the work of 10 artist pairs introduced by the curating galleries. Artist pairs: Brittany Boynton & Natalie Spicker Sage Dawson & Rebeka Pech Michael Worful & Megan Ammari Peter Pranschke & Andrew Ordonez Steph Zimmerman & Kylie McConnell Rachel Youn & Megan Pobywajlo-Bailey Edo Rosenblith & Zane Smith Marina Peng & Boi Boy Brandon Bandy & Robert Castillo José Garza & Lilly McElroy Learn more: G-CADD First Date Open House First Date https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589890692633-MIXSJ3P72NO1RNVZQWWP/A+Test%2C+A+Lesson%2C+A+RecorL.JPG Grid - Indigo Blue Exhibition 2020 Associate Professor Kim Eichler-Messmer exhibits two indigo dyed quilts at the Indigo Blue Exhibition 2020 in Tokushima, Japan. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589896676022-H5B1YHE8KHC301TP9GYU/IMG_3010.jpeg Grid - Lineage and Impact: KCAI Faculty Past and Present Pauline Verbeek-Cowart featured in Lineage and Impact: KCAI Faculty Past and Present at Haw Contemporary Stockyards. The exhibition celebrates seven decades of working artists on the faculty of the Kansas City Art Institute, a community that values making, teaching, and learning art as interdependent, often inextricable practices. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589061296603-BJ1O9LU05443W3KAOAPU/01McInerneyMarie_-_ApParentBodies.jpg Grid - Marie Bannerot McInerney exhibits [Ap]Parent Bodies Charlotte Street Artist Awards exhibition opens October 11, 2018 featuring the work of Marie Bannerot McInerney, Jarrett Mellenbruch and Jillian Youngbird at the H&R Block Artspace. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589891330600-G7MP94XI8ROUK54AQ029/central+pivot Grid - Systems & Networks exhibition at Hello Stitch Kim Eichler-Messmer exhibited several quilts and taught workshops at the Hello Stitch gallery and maker space in Berkeley, CA. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589896462113-GJF3P8U4BUP1X01K2QBR/Pauline+and+Dwight+.jpg Grid - Casting Shadows presents Åakhu KCAI Professors Pauline Verbeek Cowart and Dwight Frizzell present Åakhu, a collaborative 4-panel weavings, video projections and multi-channel sound installation. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589060057701-T8W05GS60MMBRAUZ8NMK/YouCantMakeLove2%2Bcopy.jpg Grid - 2018 CSF Visual Artist Awards Announced Charlotte Street Foundation announces Marie Bannerot McInerney as one of the recipients of the 2018 Visual Artist Awards. Congrats Marie! https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589830827091-2HTFSFAOU38BD6L1EMJI/20181026DSC_0328_edited.jpg Grid - VisionMakers2018 at 108|Contemporary Fiber Department Technician and Studio Coordinator, Natalie Spicker, receives Hogan Visionary Award for Art | Craft Dialogue for works featured at VisionMakers2018 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1589895007401-JSHZDPW688UKV5ZQJNDN/Pauline.jpg Grid - Pauline Verbeek-Cowart presents at Textile Society of America Professor and Chair of the Fiber Department, Pauline Verbeek-Cowart presents, “The Nature of Collaboration in the Digital Age” at Textile Society of America’s 15th Biennial Symposium. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1607986746062-F5V32Y1ISWJNRUJOI8OP/IMG_6085_medium.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1607987168223-XIIWNTRZQAY79IBOQTLQ/IMG_6031.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1607987178931-A3MXM1VUOS8Z9B7TT5BT/IMG_6058.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1607987181655-EPZCWOR8DQSTKNL4N573/IMG_6059.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1607987203092-0Z08ZUZE5B1LJL7LZ6QF/IMG_6066.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1607987198488-3VKFQHYD85RCO86VOZ7J/IMG_6071.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1607987221174-ZPTGBJE1CJGF1GQO1G46/IMG_6080.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1607987225141-MOXTJ934MK67AGN6WNAV/IMG_6083.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1607987250082-X7KLL19SXJAY0ZUD6F5I/IMG_6090.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1607987252742-UL0BIYBHGFV8KCVKII2O/IMG_6062.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1607972404437-M2I8Z0ZQZMNDHQ3RFMV4/5E1481E0-648F-4BDC-AAF1-A1AA58D7DE5A.png Grid Image Credit | Keith Tolch https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1607973392948-3Z4FYEDQ3U7P0SFSDZQO/lexie.jpg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/0926257d-d25b-4eab-9631-191433e8df70/Junior+Show+S25.jpg Grid Illustration by Eric Frank https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436227704-8K3H772O67FY3174J0MY/carmen.JPG Grid - Carmen Cantu Stitch it All Back Together Again hand-dyed crepe de chine, machine sewn shibori ccantu@students.kcai.edu @universal.hate https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436227173-36X40YJ4JWB4CRW529BV/carmen+detail.jpeg Grid - Carmen Cantu https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436229622-WXK8VLWGZ43G0BYFBROJ/Bio+%2B+statement+for+gallery+book+%2B+website+%28Apr+15%2C+2025+at+6_41+PM%29.jpg Grid - Abigail Cruz Tracing Me Back Hand-woven overshot, silk and cellulose yarn Acruz@students.kcai.edu @Abby.rse https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436216131-UJX9YR6U6JC5J9B9V0NO/abby+detail.jpeg Grid - Abigail Cruz https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436218060-9OC1XLYN0RDY8VS4794B/carly.jpeg Grid - Carly Henley Gridlock Hand-tufted yarn henleycd11@gmail.com @7oneone.Art https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436216695-4FEV5FNE8F2CYO78M3PI/carly+detail.jpeg Grid - Carly Henley https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436228291-8PV4HVPHOG0Q1FBA1BMW/mabel+2.jpeg Grid - Mabel Johnson 30 Days of Patchwork cotton and linen mijohnson@students.kcai.edu @mabelmade_ https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436229196-UDMEI10T08ZKTK12KAO3/mabel.jpeg Grid - Mabel Johnson Patchwork Dress hand-pleated + pieced cotton mijohnson@students.kcai.edu @mabelmade_ https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436221702-JXXZ3A9H0PWEAO6NPX2Z/charlie.jpeg Grid - Charlie Jones Business Casual hand-dyed wool, gold lamé, clay, rhinestones charlierj119@gmail.com @cobblestoad https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436219527-SRZ3GHT8HSYZT77SQPBK/charlie+detail.jpeg Grid - Charlie Jones https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436214741-2UGH4KTDYASQFIRT2ME2/sarah+2.jpg Grid - Sarah McMurry Quilt For Hoot Naturally dyed cotton and silk sapmcmurry@icloud.com | @sarahmcmurryy https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745441103275-08A4WTBAI8G71LO25L88/sarah.jpeg Grid - Sarah McMurry https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436223808-R8MH91ZDPBIJ2TCYD2P5/newton.jpeg Grid - Newton Ponder Trio hand-woven with hand-dyed and commercial-dyed yarn newton.ponder@gmail.com @leech_boy_arts https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436223535-6YQHQSZ7WG7LNBUG3414/newton+detail.jpeg Grid https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436224967-5V226Y63VFQBI5MWE53Q/sabrina.jpg Grid - Sabrina Ross Picking Flowers bridal satin, polyester organza, boning, beads sabrina121003@gmail.com @the.co11ection https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436224688-TJZRT5AM8MOQ52CARDYU/sabrina+detail.jpg Grid - Sabrina Ross https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436223053-FMI866FC6RD8GE9LW4YE/marissa.jpeg Grid - Marissa Smith Spill Your Guts found and repurposed materials, natural dye, embroidery msemailsapparently@gmail.com @magpiebrained https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436221772-BMRPWMH1NEM1UGEL6NSW/marissa+detail.jpeg Grid - Marissa Smith https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436214812-36IEUJQMC7V1V0L8VADO/carter.jpg Grid - Carter Weilert The Quiet Reveries watercolor, cotton, velvet carterweilert@gmail.com @Carterleeweilert https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436218259-SLNKTIB7O1SWBTYG7IBJ/carter+detail.jpeg Grid - Carter Weilert https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436226427-QMV1DOHGU14F72QEX2J3/syd.jpeg Grid - Syd Wilson Purrla 3D printed PLA, nylon, vinyl leather, rhinestones, acrylic luvletterzdesign@gmail.com @_luvletterz_ https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1745436226125-1OKLV8F7PKEC3WLIQJCX/syd+detail.jpeg Grid http://www.kcaifiber.com/junior-show daily 0.75 2025-08-05 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587593170974-5CU3W6C2RK2W3GCGZRRM/junior+cover+square-01.jpg Junior Show Archive https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1648474793250-IQL0CM6WI9JOTA2SIXDO/PostCard_Front.jpeg Junior Show Archive https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1680708507839-811A68QNPI6XUNGYJ7VM/Ink+Drawing+Emulsions_01.jpg Junior Show Archive https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712753115215-ABZ0OZZJNM98VUQWURVO/junior-postcard-2.png Junior Show Archive https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587591032124-2MKO5G8MCM7M4WSZ96LI/junior+cover+1.jpg Junior Show Archive Check out our zine for more information on each artist! https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587331016361-5ERZRQKX2QWKY6OG24VV/MANZO_AD_2.jpg Junior Show Archive - Ad Manzo Stills from “In Heavy Air” video amanzo@kcai.edu | vimeo.com/amanzo https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329224763-111M44XESPXTSM0RO1K4/APRIL+STAR+FINISHED+-+Adana+Garrote.jpg Junior Show Archive - Adana Garrote April Star Hand-made paper 21.5” x 21.5” $300 agarrote@kcai.edu | amgarrote.cargo.site | @amgarrote https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587402148687-FZC811DYIKF92S7I2BC9/starbook.png Junior Show Archive - Adana Garrote April Star Book Hand-made paper, hand-bound 4” x 4” agarrote@kcai.edu | amgarrote.cargo.site | @amgarrote https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329325024-PRYPF8O8IFC6U4S8X4TF/IMG_20200418_154046+-+Camtu+Nguyen.jpg Junior Show Archive - Camtu Nguyen Indigo Flowers Hand-dyed indigo cotton 20” x 20” $20 each cnguyen@kcai.edu | @thatvietartist https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329282606-TQG546PT88TKRNDPMMFI/grid+of+indigo+pieces+-+Camtu+Nguyen.jpg Junior Show Archive - Camtu Nguyen Indigo Flowers Hand-dyed indigo cotton 20” x 20” $20 each (bottom right NFS) cnguyen@kcai.edu | @thatvietartist https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329358143-OW0EGZ78V3AKNM5IIOLX/My+Neighbor%27s+House+%28Through+My+Bedroom+Window%29+-+Els+Overtoom.jpg Junior Show Archive - Els Overtoom My Neighbor’s Yard (Through My Bedroom Window) Embroidery on old sheets 2.5” x 2.25” NFS eovertoom@kcai.edu | @elswhen https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329225202-G92MLOK3FYMUJOMBFX36/Backyard+Parking+%28Through+My+Bedroom+Window%29+-+Els+Overtoom.jpg Junior Show Archive - Els Overtoom Backyard Parking (Through My Bedroom Window) Embroidery on old sheets 2.5” x 2.25” NFS eovertoom@kcai.edu | @elswhen https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329267427-JNHM0CL56Q4WNBE17V5X/Gabriella_Poulos_01+-+Gabriella+Poulos.jpg Junior Show Archive - Gabriella Poulos Harrison Hand felted and hand-dyed wool 40” x 22” x 30” $350 gpoulos@kcai.edu https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329276473-8BLZP6YF918KARZ2F2TT/Gabriella_Poulos_02+-+Gabriella+Poulos.jpg Junior Show Archive - Gabriella Poulos Harrison Hand felted and hand-dyed wool 40” x 22” x 30” $350 gpoulos@kcai.edu https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329343860-IDN9S0X3KYJWZJ54VCFR/Lineage2+-+Jordan+Geiger.jpg Junior Show Archive - Jordan Geiger Lineage Cyanotype and solar dye on cotton 36” x 48” $666 jgeiger@kcai.edu | @joriya_joriya https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329396545-95F8NBX8030MCECMQU5M/The+Lantern+Bearer+01+-+Jordan+Geiger.jpg Junior Show Archive - Jordan Geiger The Lantern Bearer Digital photo, Gulf© Wax .6111 x .9444 cubits $666 jgeiger@kcai.edu | @joriya_joriya https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329393741-108BZZAYOZ5WEO22U73D/scarfwall_KateFromm+-+Kate+Fromm.jpg Junior Show Archive - Kate Fromm 50 Cones of Cotton Hand-dyed and woven mercerized cotton 48” x 96” $40 / scarf kfromm@kcai.edu | thetumbleweaver.com | @thetumbleweaver https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329401755-C026YCQAE5TIBTY9CBII/scarfwalldetail_KateFromm+-+Kate+Fromm.jpg Junior Show Archive - Kate Fromm 50 Cones of Cotton Hand-dyed and woven mercerized cotton 48” x 96” $40 / scarf kfromm@kcai.edu | thetumbleweaver.com | @thetumbleweaver https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329291049-UIW886GN08MCZMRUPFUH/Infrared+1_Marley+Polka+-+Marley+Polka.JPG Junior Show Archive - Marley Polka Infrared Hand-dyed and painted silk and cotton size 6 $300 mpolka@kcai.edu | @thecultofpolka https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329312310-P2W4C8TIFHHNZ1SAGLY7/Infrared+2_Marley+Polka+-+Marley+Polka.JPG Junior Show Archive - Marley Polka Infrared Hand-dyed and painted silk and cotton size 6 $300 mpolka@kcai.edu | @thecultofpolka https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587330971117-HZ6ZB6XE79C2I2RVF513/olivia.jpg Junior Show Archive - Olivia Haston White Pine Box Chair Hand-painted black and white linen cushions, hand-dyed and sewn linen pillow insert, white pine 20” x 32” x 18" ohaston@kcai.edu | @oliviahaston https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587330972199-IP5XQ4ES0AORO613T63T/olivia+2.jpg Junior Show Archive - Olivia Haston White Pine Box Chair Hand-painted black and white linen cushions, hand-dyed and sewn linen pillow insert, white pine 20” x 32” x 18" ohaston@kcai.edu | @oliviahaston https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329399492-YJ8SL86QTYKD20D7Y54L/Untitled-2+-+Rachel+Tucker.jpg Junior Show Archive - Rachel Tucker Object: Person, Place, or Thing 3-D mixed media collage 10” x 21” x 20” rtucker@kcai.edu | @raypannda https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587329404290-WKOHOFHFKFMQ7GMG4UGU/Untitled-4+-+Rachel+Tucker.jpg Junior Show Archive - Rachel Tucker Object: Person, Place, or Thing 3-D mixed media collage 10” x 21” x 20” rtucker@kcai.edu | @raypannda https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1587592713505-VVDVAO10RYN2VTV9U5Q1/IMG_0748.jpeg Junior Show Archive - Obinna Chikeluba Duffle Bag https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1617821386349-H60SFG5TMJQFHDLDA6RI/PostCard_Front.jpeg Junior Show Archive Illustration by Eric Frank https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1617812516139-RS6MNBDMPP139QPICVKD/Ford_Nathan1.jpg Junior Show Archive - Nathan Ford Inappropriate Longings 52’’x47’’x0.5’’ Denim overalls, cutter quilt, mixed cottons NFS Originally from Ohio, my work examines my family’s history of labor in the Rust Belt. I use the medium of quilting to explore the history of materials and how they can communicate personal narratives. I'm particularly interested in how materials can convey the presence of a body, and bridge the gaps between different social groups. IG: @soft.science https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618004538838-D9LRWW7QKAJ6NFFXEOUB/Ford_Nathan2.jpg Junior Show Archive Inappropriate Longings 52’’x47’’x0.5’’ Denim overalls, cutter quilt, mixed cottons NFS Originally from Ohio, my work examines my family’s history of labor in the Rust Belt. I use the medium of quilting to explore the history of materials and how they can communicate personal narratives. I'm particularly interested in how materials can convey the presence of a body, and bridge the gaps between different social groups. IG: @soft.science https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618004539329-8GVIRVG3GLR23JVQAHJO/Ford_Nathan_Detail.jpg Junior Show Archive Inappropriate Longings 52’’x47’’x0.5’’ Denim overalls, cutter quilt, mixed cottons NFS Originally from Ohio, my work examines my family’s history of labor in the Rust Belt. I use the medium of quilting to explore the history of materials and how they can communicate personal narratives. I'm particularly interested in how materials can convey the presence of a body, and bridge the gaps between different social groups. IG: @soft.science https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1617812503743-32T26C2FQ0PSFZD9Z1I4/Novak_Jamie.jpg Junior Show Archive - Jamie Novak Hopscotch Tufted Acrylic Yarn on Monks Cloth 32” x 40” $300 My Work Explores Color, Shape, And Pattern. I Am Inspired By Childhood Activities, As Well As Exploring The Idea Of Making The Micro Macro. IG: @jaaaaaaamm https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618004580091-G48N0BIBSI8NDQT002AM/Novak_Jamie_Detail.jpg Junior Show Archive Hopscotch Tufted Acrylic Yarn on Monks Cloth 32” x 40” $300 My Work Explores Color, Shape, And Pattern. I Am Inspired By Childhood Activities, As Well As Exploring The Idea Of Making The Micro Macro. IG: @jaaaaaaamm https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618004580737-043LKX0KKQ9VJNCHKTRF/Novak_Jamie_Detail2.jpg Junior Show Archive Hopscotch Tufted Acrylic Yarn on Monks Cloth 32” x 40” $300 My Work Explores Color, Shape, And Pattern. I Am Inspired By Childhood Activities, As Well As Exploring The Idea Of Making The Micro Macro. IG: @jaaaaaaamm https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1617812444891-L7HDP17GTCCI8CKIHUNF/L%C3%AA_H%C3%B9ng_Detail.jpg Junior Show Archive - Hùng Lê Hello, Má Cyanotype on Silk Organza, Muslin, Silk Habotai, and Paper 93”x57” NFS My Work Investigates The Vietnam War And My Experience As A Vietnamese Immigrant, In Particular The Societal Expectations Of Living As An Asian-American. My Work Pulls From My Memories And Those Of My Family, Including Notions Of Melancholy And Nostalgia. IG: @monsieur.ratty https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618004717221-T6XQDBBC64NVKDNVLDXJ/Le%CC%82_.Hu%CC%80ng_Detail.jpg Junior Show Archive Hello, Má Cyanotype on Silk Organza, Muslin, Silk Habotai, and Paper 93”x57” NFS My Work Investigates The Vietnam War And My Experience As A Vietnamese Immigrant, In Particular The Societal Expectations Of Living As An Asian-American. My Work Pulls From My Memories And Those Of My Family, Including Notions Of Melancholy And Nostalgia. IG: @monsieur.ratty https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618004717649-4IFWYORKYT38Z4XBJTGL/Le%CC%82_Hu%CC%80ng.jpg Junior Show Archive Hello, Má Cyanotype on Silk Organza, Muslin, Silk Habotai, and Paper 93”x57” NFS My Work Investigates The Vietnam War And My Experience As A Vietnamese Immigrant, In Particular The Societal Expectations Of Living As An Asian-American. My Work Pulls From My Memories And Those Of My Family, Including Notions Of Melancholy And Nostalgia. IG: @monsieur.ratty https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1617815680139-TYLCWDZ37PALITROP00X/Llarena_Eva.jpg Junior Show Archive - Eva Llarena Dimensionally Doodled Dude Tufted Acrylic and Wool Yarn 32”x22”x1” NFS My work is an exploration of my dreams and nightmares. With my work, I intend to interpret what my dreams mean to me and make these ideas approachable to myself and others. IG: @evallarena https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618004904478-44N8QRLBKR9NJQW1N7SS/Llarena_Eva_detail.jpg Junior Show Archive Dimensionally Doodled Dude Tufted Acrylic and Wool Yarn 32”x22”x1” NFS My work is an exploration of my dreams and nightmares. With my work, I intend to interpret what my dreams mean to me and make these ideas approachable to myself and others. IG: @evallarena https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618004913929-0ISTY4S2ERW9W26KK36X/Llarena_Eva_Detail2.jpg Junior Show Archive Dimensionally Doodled Dude Tufted Acrylic and Wool Yarn 32”x22”x1” NFS My work is an exploration of my dreams and nightmares. With my work, I intend to interpret what my dreams mean to me and make these ideas approachable to myself and others. IG: @evallarena https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1617812548461-3MOKAQ9FTP92QHMZSR29/Watson_Nan_3.jpg Junior Show Archive - Nan Watson Delaney and Teague Plastic doll armature, floral wire, foam, various cotton and synthetic cloth, plastic beads, embroidery thread, acrylic paint, watercolor, yarn, hot glue Delaney - 12" x 6" x 3" Teague - 9" x 6" x 3" NFS I focus a lot on animals in my work–how they think, what they think about, and how we humans think about and interact with them. My goal for most of my work, beyond making cute critters and odd beasties, is to challenge the viewer to stand back and assess their thoughts about what animals represent to them, and maybe get the viewer to empathize more with our fellow critters. We're all just critters, after all. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618004778499-EHF34APD6YGQJUPVDRL3/Watson_Nan_1.jpg Junior Show Archive Delaney and Teague Plastic doll armature, floral wire, foam, various cotton and synthetic cloth, plastic beads, embroidery thread, acrylic paint, watercolor, yarn, hot glue Delaney - 12" x 6" x 3" Teague - 9" x 6" x 3" NFS I focus a lot on animals in my work–how they think, what they think about, and how we humans think about and interact with them. My goal for most of my work, beyond making cute critters and odd beasties, is to challenge the viewer to stand back and assess their thoughts about what animals represent to them, and maybe get the viewer to empathize more with our fellow critters. We're all just critters, after all. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618004778854-39R156YWUGWV5AMT2V9A/Watson_Nan_2.jpg Junior Show Archive Delaney and Teague Plastic doll armature, floral wire, foam, various cotton and synthetic cloth, plastic beads, embroidery thread, acrylic paint, watercolor, yarn, hot glue Delaney - 12" x 6" x 3" Teague - 9" x 6" x 3" NFS I focus a lot on animals in my work–how they think, what they think about, and how we humans think about and interact with them. My goal for most of my work, beyond making cute critters and odd beasties, is to challenge the viewer to stand back and assess their thoughts about what animals represent to them, and maybe get the viewer to empathize more with our fellow critters. We're all just critters, after all. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618003108949-4VV5TMKJZ9TCAWOY09UF/Jeepers+Creepers_Mooney_Emily.jpg Junior Show Archive - Emily Mooney Jeepers Creepers Quilted Fabric Collages 16” x 18 $50 Each Much Of My Work Is Based In Self And In Feeling Rather Than Material And Process. It Reflects The Same Themes Of Memory, Childhood, Self, And Physicality. IG: @the_artist.garage https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005002752-VFNRPYQKDM56PHBZJTL7/Groovy+Baby_Mooney_Emily.jpg Junior Show Archive Groovy Baby Quilted Fabric Collages 20” x 16” $50 Each Much Of My Work Is Based In Self And In Feeling Rather Than Material And Process. It Reflects The Same Themes Of Memory, Childhood, Self, And Physicality. IG: @the_artist.garage https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005004209-3QBF8O3WUBHNIIX3MS03/Soup+Eyes_Mooney_Emily+copy.jpg Junior Show Archive Soup Eyes Quilted Fabric Collages ”18” x 14” $50 Each Much Of My Work Is Based In Self And In Feeling Rather Than Material And Process. It Reflects The Same Themes Of Memory, Childhood, Self, And Physicality. IG: @the_artist.garage https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1617812640421-LSY9KMYL7XYCH20JATXJ/Velez_Christopher_6+copy.jpg Junior Show Archive - Christopher Velez Service Dress 1 & 2 Pleated Cotton Poplin and Faux Calf Leather Dress 1: Size 16 Dress 2: Size 14 NFS In my design process I try to balance the past & present through the melding of historic and modern silhouettes. Through my work I hope to inspire feelings of elegance, strength and divinity in both the wearer and observer. IG: @chrisrobinvelez https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005054521-TITGPP5IZD70CN1ZCQUZ/Velez_Christopher_5.jpg Junior Show Archive Service Dress 1 & 2 Pleated Cotton Poplin and Faux Calf Leather Size 16 NFS In my design process I try to balance the past & present through the melding of historic and modern silhouettes. Through my work I hope to inspire feelings of elegance, strength and divinity in both the wearer and observer. IG: @chrisrobinvelez https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005054677-4QUE9DQRFWIW8YANE8D8/Velez_Christopher_2.jpg Junior Show Archive Service Dress 1 & 2 Pleated Cotton Poplin and Faux Calf Leather Size 14 NFS In my design process I try to balance the past & present through the melding of historic and modern silhouettes. Through my work I hope to inspire feelings of elegance, strength and divinity in both the wearer and observer. IG: @chrisrobinvelez https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1617821056644-KEFNPLMZ45HTD8K466LK/Whyte_Clare.jpg Junior Show Archive - Clare Whyte Rising Water String, Glass Seed Beads 2” x 2.5” NFS For This Body Of Work, I Decided To Do A Small Scale Collection Of Abstract Peyote Stitch Pieces. I Explored Pattern Making And Color Stories. I Wished To Highlight The Reflective Quality Of The Beads. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005171201-4EROUYN5SF2VEAJPNN82/Whyte_Clare_Detail_01.jpg Junior Show Archive Rising Water String, Glass Seed Beads 2” x 2.5” NFS For This Body Of Work, I Decided To Do A Small Scale Collection Of Abstract Peyote Stitch Pieces. I Explored Pattern Making And Color Stories. I Wished To Highlight The Reflective Quality Of The Beads. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005172324-1HP9MXE4OGFPP3329KI3/Whyte_Clare_Detail02.jpg Junior Show Archive Rising Water String, Glass Seed Beads 2” x 2.5” NFS For This Body Of Work, I Decided To Do A Small Scale Collection Of Abstract Peyote Stitch Pieces. I Explored Pattern Making And Color Stories. I Wished To Highlight The Reflective Quality Of The Beads. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618001090059-FVVZ6X42XOD58OG3FHLB/Cooper_Bri+%281%29.jpg Junior Show Archive - Bri Cooper Patterns and Perspectives Sewn White Velvet, Linen, Cotton Lycra, Rayon, White and Black Polyester Thread 45 5/8” x 54” NFS This Became A Project Based On Making For The Sake Of Making. I Enjoy Piecing, And I Wanted To Try Using More Angular Shapes. Leaving My Piece Undyed Allowed Its Natural Beauty To Shine Through. IG: @bcooper734 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005211138-CNNS2SPQIJIE605A9N21/Cooper_Bri_Detail+%281%29.jpg Junior Show Archive Patterns and Perspectives Sewn White Velvet, Linen, Cotton Lycra, Rayon, White and Black Polyester Thread 45 5/8” x 54” NFS This Became A Project Based On Making For The Sake Of Making. I Enjoy Piecing, And I Wanted To Try Using More Angular Shapes. Leaving My Piece Undyed Allowed Its Natural Beauty To Shine Through. IG: @bcooper734 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005212495-E78YO6PWZXGIM1CKYIYI/Cooper_Bri_Detail%282%29.jpg Junior Show Archive Patterns and Perspectives Sewn White Velvet, Linen, Cotton Lycra, Rayon, White and Black Polyester Thread 45 5/8” x 54” NFS This Became A Project Based On Making For The Sake Of Making. I Enjoy Piecing, And I Wanted To Try Using More Angular Shapes. Leaving My Piece Undyed Allowed Its Natural Beauty To Shine Through. IG: @bcooper734 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1617821155785-BQSL3S1NHMKSHDTMQ12H/Frank_Eric1.JPG Junior Show Archive - Eric Frank Milkweed Mountain Rabbit fur felt, leather, printed cotton 14” x 14” $400 As an artist, I strive to combine memory and relationship to practical form. Through Hats, I manipulate and personalize an existing medium to convey my inspirations and experiences. IG: @milkandradish https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005428543-HI8WG12JFNBEZ1Y1GS9A/Frank_Eric2.JPG Junior Show Archive Milkweed Mountain Rabbit fur felt, leather, printed cotton 14” x 14” $400 As an artist, I strive to combine memory and relationship to practical form. Through Hats, I manipulate and personalize an existing medium to convey my inspirations and experiences. IG: @milkandradish https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005436011-DPDIFD83SX4R047KUUMN/Frank_Eric_Detail.jpg Junior Show Archive Milkweed Mountain Rabbit fur felt, leather, printed cotton 14” x 14” $400 As an artist, I strive to combine memory and relationship to practical form. Through Hats, I manipulate and personalize an existing medium to convey my inspirations and experiences. IG: @milkandradish https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1617825573189-KNAT503803H43DFJ01MQ/Blue+Fork.jpg Junior Show Archive - Larkin Winters Blue Fork Hand-dyed Organza and Linen, Scrap Fabrics 10” x 15” NFS Escaping Into A World Is Easy To Do, Compelling Those Worlds To Come To Life Is My Main Focus While Creating. In This Piece A Sense Of Space And Time Is Lost Luring You Into A Boundless Area In Which You Can Lose Yourself In. Through Layering Of Fabrics Space Becomes An Illusion To Which You Can Escape Too. IG: @the_art_of_sass https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005572315-FHRKR98CMHLKZKOXK78L/Blue+Fork+Detail2.jpg Junior Show Archive Blue Fork Hand-dyed Organza and Linen, Scrap Fabrics 10” x 15” NFS Escaping Into A World Is Easy To Do, Compelling Those Worlds To Come To Life Is My Main Focus While Creating. In This Piece A Sense Of Space And Time Is Lost Luring You Into A Boundless Area In Which You Can Lose Yourself In. Through Layering Of Fabrics Space Becomes An Illusion To Which You Can Escape Too. IG: @the_art_of_sass https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005578219-UM1GP863T173JRS1SSL4/Blue+Fork+Detail1.jpg Junior Show Archive Blue Fork Hand-dyed Organza and Linen, Scrap Fabrics 10” x 15” NFS Escaping Into A World Is Easy To Do, Compelling Those Worlds To Come To Life Is My Main Focus While Creating. In This Piece A Sense Of Space And Time Is Lost Luring You Into A Boundless Area In Which You Can Lose Yourself In. Through Layering Of Fabrics Space Becomes An Illusion To Which You Can Escape Too. IG: @the_art_of_sass https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618001964129-43VXB0THEACD4ZCA5C4N/Aleah_Washington.jpg Junior Show Archive - Aleah Washington Better Together Image transfer on Muslin, Colored Pencil, Pen, Thread 14” x 22” NFS Keen With Identity, Aleah Washington Presents Vulnerability And Strength Together Through The Use Of Collage And Portraiture By Using Traditional Methods Of Sewing And Drawing. Color Is An Important Focal Point Giving Vibrancy Through Texture, Adding Layers Of Personality And Culture. Accessibility Is Important In Washington’s Work, Conversing With Viewers And Promoting Self Introspection Through Using Image Transfers And Family Photo Albums. IG: @aleah_sweetlikehoney https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005658685-1OACPKABQNV1FMFZAYX5/Aleah_Washington_detail.jpg Junior Show Archive Better Together Image transfer on Muslin, Colored Pencil, Pen, Thread 14” x 22” NFS Keen With Identity, Aleah Washington Presents Vulnerability And Strength Together Through The Use Of Collage And Portraiture By Using Traditional Methods Of Sewing And Drawing. Color Is An Important Focal Point Giving Vibrancy Through Texture, Adding Layers Of Personality And Culture. Accessibility Is Important In Washington’s Work, Conversing With Viewers And Promoting Self Introspection Through Using Image Transfers And Family Photo Albums. IG: @aleah_sweetlikehoney https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005657654-ED8DJPA5MZ00M6L6E86R/Aleah_Washington_detail3.jpg Junior Show Archive Better Together Image transfer on Muslin, Colored Pencil, Pen, Thread 14” x 22” NFS Keen With Identity, Aleah Washington Presents Vulnerability And Strength Together Through The Use Of Collage And Portraiture By Using Traditional Methods Of Sewing And Drawing. Color Is An Important Focal Point Giving Vibrancy Through Texture, Adding Layers Of Personality And Culture. Accessibility Is Important In Washington’s Work, Conversing With Viewers And Promoting Self Introspection Through Using Image Transfers And Family Photo Albums. IG: @aleah_sweetlikehoney https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1617821150605-665P3UEPH9WZJ16EAUMN/Saracini_Ellen_Eric.JPG Junior Show Archive - Ellen Saracini Raindrop Character Study Polyester Rayon blend, Velvet, Cotton Thread, Resin, Poly-Dye, Indigo, Poly-Fill, and found objects 27.75” x 59.5” NFS A costume study for background performers. These two costume pieces are for an in progress project and are studies on dying methods and sewing techniques that will be used in a final work for a short film. IG: @flwrz_official https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1618005288406-J0NRRILYYB9FZO8MSWQD/Saracini_Ellen_Nathan.JPG Junior Show Archive Raindrop Character Study Polyester Rayon blend, Velvet, Cotton Thread, Resin, Poly-Dye, Indigo, Poly-Fill, and found objects 21.25”" x 25” NFS A costume study for background performers. These two costume pieces are for an in progress project and are studies on dying methods and sewing techniques that will be used in a final work for a short film. IG: @flwrz_official https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/4c3f4515-17b8-402c-9fe4-84913c771e19/gallerybookcover-1.png Junior Show Archive Illustration by Eric Frank https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316633088-88I7LUAGNXRCGNIPXP39/IMG_6230.jpg Junior Show Archive - Olivia Mills 1. Flood Linen, Indigo, Weld, Cutch Natural Dyes 62x33in $125 2. Lake Water Silk Habotai, Indigo, Weld, Pomegranate Natural Dyes 70x42in $150 3. Seed Wool Gauze, Black Walnut, Clay Resist, Indigo Natural Dyes 67x37 $200 4. Gestures Cotton Gauze, Indigo Clay Resist, Pomegranate Natural Dyes 75x40 Contact Artist for Price For inquiries contact ojmills@kcai.edu or 913-948-2485 My designs are inspired by nature and the elements of the earth. I use plants and materials from the ground in dialogue with natural fibers to create gestural and quiet surface design. I am thoughtful with my craft, pairing natural dyes with different fibers intentionally yet organically. Letting every new encounter with a piece guide me, I stay present with the making of each individual aspect of the process. Whether it's extracting the dye color from the plant, mordanting the fabric, stirring it in the dye bath, or stamping/painting the design on, every step is important and enjoyable to me. Transcending foraged materials into patterns and interpreting natural dye colors with striking moments experienced in nature were some experiences that led up to these four yardages presented. I aim to continue in my exploration of counteracting the over producing/consuming textile industry with slow, conscious making by hand. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316633673-7ST4MSLHH6NW7H6ND2K0/IMG_6234.JPG Junior Show Archive - Olivia Mills Seed Wool Gauze, Black Walnut, Clay Resist, Indigo Natural Dyes 67x37 $200 4. Gestures Cotton Gauze, Indigo Clay Resist, Pomegranate Natural Dyes 75x40 Contact Artist for Price For inquiries contact ojmills@kcai.edu or 913-948-2485 My designs are inspired by nature and the elements of the earth. I use plants and materials from the ground in dialogue with natural fibers to create gestural and quiet surface design. I am thoughtful with my craft, pairing natural dyes with different fibers intentionally yet organically. Letting every new encounter with a piece guide me, I stay present with the making of each individual aspect of the process. Whether it's extracting the dye color from the plant, mordanting the fabric, stirring it in the dye bath, or stamping/painting the design on, every step is important and enjoyable to me. Transcending foraged materials into patterns and interpreting natural dye colors with striking moments experienced in nature were some experiences that led up to these four yardages presented. I aim to continue in my exploration of counteracting the over producing/consuming textile industry with slow, conscious making by hand. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316631761-S68BLCV6351LI6S7QIMQ/IMG_6232.JPG Junior Show Archive - Olivia Mills Gestures Cotton Gauze, Indigo Clay Resist, Pomegranate Natural Dyes 75x40 Contact Artist for Price For inquiries contact ojmills@kcai.edu or 913-948-2485 My designs are inspired by nature and the elements of the earth. I use plants and materials from the ground in dialogue with natural fibers to create gestural and quiet surface design. I am thoughtful with my craft, pairing natural dyes with different fibers intentionally yet organically. Letting every new encounter with a piece guide me, I stay present with the making of each individual aspect of the process. Whether it's extracting the dye color from the plant, mordanting the fabric, stirring it in the dye bath, or stamping/painting the design on, every step is important and enjoyable to me. Transcending foraged materials into patterns and interpreting natural dye colors with striking moments experienced in nature were some experiences that led up to these four yardages presented. I aim to continue in my exploration of counteracting the over producing/consuming textile industry with slow, conscious making by hand. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316629579-5V92HDCJM6EMXMXAJQUJ/PXL_20230412_130621426.jpg Junior Show Archive - Wesley Schmoe Butterflies Oil Paint, Hand Dyed Organza, Embroidery Floss, Beads 36” x 48” $650 The work I create frequents realms of color, layer, emotion and memory that can follow in relation to the body and mortality of personhood. I have explored these ideas through many different ways of making over the past couple of years. Pouring the majority of my efforts into weaving, sewing and dyework. Using these practices in a sort of collage-like manner to create different imagery. Color and layering of textures takes a very big front seat in the work I create as a way of conveying dream-like sort of fugue states surrounding the figure. Through this exploration of color and memory I wanted to take time to just paint instead of using all of these other skills I have developed. Painting was something so integral to my practice as an artist in high school, now it feels like something that is so distant from me from a time in my life that came with a lot of struggles. As an artist and a person this is an exercise in reconnecting with myself and my past. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316628886-MUHXLW4R3F8OTNJEK1XQ/PXL_20230412_130601251%7E3.jpg Junior Show Archive - Wesley Schmoe Oil Paint, Hand Dyed Organza, Embroidery Floss, Beads 36” x 48” $650 The work I create frequents realms of color, layer, emotion and memory that can follow in relation to the body and mortality of personhood. I have explored these ideas through many different ways of making over the past couple of years. Pouring the majority of my efforts into weaving, sewing and dyework. Using these practices in a sort of collage-like manner to create different imagery. Color and layering of textures takes a very big front seat in the work I create as a way of conveying dream-like sort of fugue states surrounding the figure. Through this exploration of color and memory I wanted to take time to just paint instead of using all of these other skills I have developed. Painting was something so integral to my practice as an artist in high school, now it feels like something that is so distant from me from a time in my life that came with a lot of struggles. As an artist and a person this is an exercise in reconnecting with myself and my past. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316630951-0LW94LHU6ASZFVTO97O0/PXL_20230412_130624881.jpg Junior Show Archive - Wesley Schmoe Oil Paint, Hand Dyed Organza, Embroidery Floss, Beads 36” x 48” $650 The work I create frequents realms of color, layer, emotion and memory that can follow in relation to the body and mortality of personhood. I have explored these ideas through many different ways of making over the past couple of years. Pouring the majority of my efforts into weaving, sewing and dyework. Using these practices in a sort of collage-like manner to create different imagery. Color and layering of textures takes a very big front seat in the work I create as a way of conveying dream-like sort of fugue states surrounding the figure. Through this exploration of color and memory I wanted to take time to just paint instead of using all of these other skills I have developed. Painting was something so integral to my practice as an artist in high school, now it feels like something that is so distant from me from a time in my life that came with a lot of struggles. As an artist and a person this is an exercise in reconnecting with myself and my past. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316635629-EFS7JHYLBFH7HCMVOIRL/IMG_9522.jpeg Junior Show Archive - Carson Chomosh 1. i am you I Silk Organza, Polyester Thread 72x36in $500 For inquiries contact cchomosh@kcai.edu In my practice I explore how the passing of time affects the clarity of memories as well as how international experiences and lineage affect every aspect of life. In my explorations through time and notions of aging, I speak in the room that memory holds and wears on that passage. I'm interested in how memory exists and ceases to exist as doldrums of time march on. Our human experience is so shaped by our roots and who we come from and how their life affects ours. We are environmental creatures and those environments have the ability to remain embedded in us forever. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316636765-NQ0QUXR0TS9EO9O3OA7P/IMG_9501.jpeg Junior Show Archive - Carson Chomosh 1. i am you I Silk Organza, Polyester Thread 72x36in $500 For inquiries contact cchomosh@kcai.edu In my practice I explore how the passing of time affects the clarity of memories as well as how international experiences and lineage affect every aspect of life. In my explorations through time and notions of aging, I speak in the room that memory holds and wears on that passage. I'm interested in how memory exists and ceases to exist as doldrums of time march on. Our human experience is so shaped by our roots and who we come from and how their life affects ours. We are environmental creatures and those environments have the ability to remain embedded in us forever. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316635997-LNCDSZBV3TUKWHVLHOP9/IMG_6242.JPG Junior Show Archive - Carson Chomosh 2. i am you II Guest Checks, China Marker, Adhesive 75x20in $300 For inquiries contact cchomosh@kcai.edu In my practice I explore how the passing of time affects the clarity of memories as well as how international experiences and lineage affect every aspect of life. In my explorations through time and notions of aging, I speak in the room that memory holds and wears on that passage. I'm interested in how memory exists and ceases to exist as doldrums of time march on. Our human experience is so shaped by our roots and who we come from and how their life affects ours. We are environmental creatures and those environments have the ability to remain embedded in us forever. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681352333416-ZI8P2IHRUE81DUQ7N1KU/annaleedetail.jpg Junior Show Archive - Annalee Hanson 1. Falling Into I Handwoven Jacquard Cotton 28x75in Contact For Sale For inquiries contact annaleehansonart@gmail.com My current work primarily focuses on the intersections of craft, technology, and woven imagery. I am interested in how we can use digital looms to reimagine the application of historical weave structures, such as waffle or huck lace. For these weavings, I was inspired by the patterns created from star quilting motifs and Stars and Diamond tied overshot patterns. I am recontextualizing a historically used motif through visual manipulation, such as stretching and expansion. My woven works aim to both recreate tradition and also dismantle it. With the use of digital weaving technology, I am able to combine structures and patterns in a way that would have once been incompatible. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681352520935-ZAY0R586C622EB744FNX/detail+3j.jpg Junior Show Archive - Annalee Hanson 1. Falling Into I Handwoven Jacquard Cotton 28x75in Contact For Sale For inquiries contact annaleehansonart@gmail.com My current work primarily focuses on the intersections of craft, technology, and woven imagery. I am interested in how we can use digital looms to reimagine the application of historical weave structures, such as waffle or huck lace. For these weavings, I was inspired by the patterns created from star quilting motifs and Stars and Diamond tied overshot patterns. I am recontextualizing a historically used motif through visual manipulation, such as stretching and expansion. My woven works aim to both recreate tradition and also dismantle it. With the use of digital weaving technology, I am able to combine structures and patterns in a way that would have once been incompatible. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681352523015-93A3S7A04DV8ID3QS7LU/detail+2.jpg Junior Show Archive - Annalee Hanson 2. Falling Into II Handwoven Jacquard Cotton 29x82in Contact For Sale For inquiries contact annaleehansonart@gmail.com My current work primarily focuses on the intersections of craft, technology, and woven imagery. I am interested in how we can use digital looms to reimagine the application of historical weave structures, such as waffle or huck lace. For these weavings, I was inspired by the patterns created from star quilting motifs and Stars and Diamond tied overshot patterns. I am recontextualizing a historically used motif through visual manipulation, such as stretching and expansion. My woven works aim to both recreate tradition and also dismantle it. With the use of digital weaving technology, I am able to combine structures and patterns in a way that would have once been incompatible. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316636904-BK1PLJ21AEXSL8T3B2V4/Brannon_Laura_JuniorShow.jpg Junior Show Archive - Laura Brannon Delta Muslin, raw silk, indigo, thread, beads 30”x30” NFS Commission Inquiries to lbartandphoto@gmail.com My work explores nature, human experience, and the intertwined link between the two. Patterns in nature and how they mirror our bodies, physical and emotional experiences, and relationships are also relevant to my work. This piece, Delta, is an investigation into what it means to experience life as fragments. Much like looking at a river or a road at a human’s level does not reveal its wholeness, looking at this piece as a whole does not reveal its inherent intimate qualities. Repetitive slow making mirrors the way that nature creates over time, and it is important to consider how the end product can often mask the time spent evolving and changing. Each of us experiences and goes through life in a different way, and the way that experience can be fragmented, distorted, or even intangible despite our experience as a whole is important to consider. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316637999-YWDBGRTYTCLDB4QPTP07/Brannon_Quilt1_JuniorShow.jpg Junior Show Archive - Laura Brannon Delta Muslin, raw silk, indigo, thread, beads 30”x30” NFS Commission Inquiries to lbartandphoto@gmail.com My work explores nature, human experience, and the intertwined link between the two. Patterns in nature and how they mirror our bodies, physical and emotional experiences, and relationships are also relevant to my work. This piece, Delta, is an investigation into what it means to experience life as fragments. Much like looking at a river or a road at a human’s level does not reveal its wholeness, looking at this piece as a whole does not reveal its inherent intimate qualities. Repetitive slow making mirrors the way that nature creates over time, and it is important to consider how the end product can often mask the time spent evolving and changing. Each of us experiences and goes through life in a different way, and the way that experience can be fragmented, distorted, or even intangible despite our experience as a whole is important to consider. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316638306-MZU41T734TPW3K0504VB/postcard23spring_brannon.jpg Junior Show Archive - Laura Brannon Delta Muslin, raw silk, indigo, thread, beads 30”x30” NFS Commission Inquiries to lbartandphoto@gmail.com My work explores nature, human experience, and the intertwined link between the two. Patterns in nature and how they mirror our bodies, physical and emotional experiences, and relationships are also relevant to my work. This piece, Delta, is an investigation into what it means to experience life as fragments. Much like looking at a river or a road at a human’s level does not reveal its wholeness, looking at this piece as a whole does not reveal its inherent intimate qualities. Repetitive slow making mirrors the way that nature creates over time, and it is important to consider how the end product can often mask the time spent evolving and changing. Each of us experiences and goes through life in a different way, and the way that experience can be fragmented, distorted, or even intangible despite our experience as a whole is important to consider. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316646781-JJWBWV6DDGEN97QXEK4R/Schwall_JuniorShow3.jpeg Junior Show Archive - Char Schwall Percentage Dyeing Research White Cotton Fabric, Procion MX Dye variable dimensions NFS For inquiries contact cschwall@students.kcai.edu IG: @charschwall I am a non-traditional fiber student and have an extensive background as a painter. My work employs color as a language in reference to organic growth and the rhythms of nature. The goal of this project was to explore color in a new way through percentage dyeing. Percentage dyeing is a method of dyeing fabric using precise and consistent measurements to achieve specific values of color. I chose to use white canvas because canvas is often integral to the 2-dimensional pieces that I make. I am interested in color that focuses on the lighter range of the value scale. I documented the process of my research to create each color, which includes the brand of dye, the hue(s) used, the value, and the fabric. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316641084-GQ3XGH8QGWOU7DI9PTSA/Schwall_Junior+Show1.jpg Junior Show Archive - Char Schwall Percentage Dyeing Research White Cotton Fabric, Procion MX Dye variable dimensions NFS For inquiries contact cschwall@students.kcai.edu IG: @charschwall I am a non-traditional fiber student and have an extensive background as a painter. My work employs color as a language in reference to organic growth and the rhythms of nature. The goal of this project was to explore color in a new way through percentage dyeing. Percentage dyeing is a method of dyeing fabric using precise and consistent measurements to achieve specific values of color. I chose to use white canvas because canvas is often integral to the 2-dimensional pieces that I make. I am interested in color that focuses on the lighter range of the value scale. I documented the process of my research to create each color, which includes the brand of dye, the hue(s) used, the value, and the fabric. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316641731-VZL6GVQCQPM7KSJYYKNU/Schwall_JuniorShow2%281%29.jpg Junior Show Archive - Char Schwall Percentage Dyeing Research White Cotton Fabric, Procion MX Dye variable dimensions NFS For inquiries contact cschwall@students.kcai.edu IG: @charschwall I am a non-traditional fiber student and have an extensive background as a painter. My work employs color as a language in reference to organic growth and the rhythms of nature. The goal of this project was to explore color in a new way through percentage dyeing. Percentage dyeing is a method of dyeing fabric using precise and consistent measurements to achieve specific values of color. I chose to use white canvas because canvas is often integral to the 2-dimensional pieces that I make. I am interested in color that focuses on the lighter range of the value scale. I documented the process of my research to create each color, which includes the brand of dye, the hue(s) used, the value, and the fabric. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316644763-37D9Y5A8ILYBWOTS947H/horse+detail1.JPG Junior Show Archive - Abbie Stabno Wild, Wild Horses Acrylic Yarn 38.5” x31” $475 For inquiries contact astabno@kcai.edu Abbie Stabno is a current junior pursuing her BFA in Fiber at the Kansas City Art Institute. She works in varying mediums, primarily using rug tufting, mixed media collage, and drawing. Her work explores color relationships while incorporating found vintage material. Abbie’s work has been featured in several shows in Kansas City between 2021 and 2022, and she has worked as a studio assistant for Marie Bannerot McInerney in 2022. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316651035-06J63UWDABN00Q3J3CCC/horse+documentation.jpg Junior Show Archive - Abbie Stabno Wild, Wild Horses Acrylic Yarn 38.5” x31” $475 For inquiries contact astabno@kcai.edu Abbie Stabno is a current junior pursuing her BFA in Fiber at the Kansas City Art Institute. She works in varying mediums, primarily using rug tufting, mixed media collage, and drawing. Her work explores color relationships while incorporating found vintage material. Abbie’s work has been featured in several shows in Kansas City between 2021 and 2022, and she has worked as a studio assistant for Marie Bannerot McInerney in 2022. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316647909-4SLLA639PL37C41CKNCP/horse+detail2.JPG Junior Show Archive - Abbie Stabno Wild, Wild Horses Acrylic Yarn 38.5” x31” $475 For inquiries contact astabno@kcai.edu Abbie Stabno is a current junior pursuing her BFA in Fiber at the Kansas City Art Institute. She works in varying mediums, primarily using rug tufting, mixed media collage, and drawing. Her work explores color relationships while incorporating found vintage material. Abbie’s work has been featured in several shows in Kansas City between 2021 and 2022, and she has worked as a studio assistant for Marie Bannerot McInerney in 2022. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316654707-DQGGLEL7V63MR62A5WHE/20230403_183545.jpg Junior Show Archive - Sascha Merryfield Cloth Mother Surrogate (Cradle Will Rock) Commerically and Naturally dyed fabric; Acrylic Paint; Cotton, Linen, and Canvas; Machine and hand stitching 22”x74” $300 For inquiry contact sascha.weatherman@gmail.com My works tie together to build a vulnerable, dream-like world where the viewer can find solace and comfort. I create spaces of non-judgement where truth, shame, and fear are embraced with open acceptance. Allusions to history often present in my work through visual clutter, collage, and layering. Accumulating sediment and collected keepsakes both show a passage of time, a displayed history where each piece must exist in relation to everything around it. These dialectic spaces mirror a complex reality and revel in the truth of ambiguity. In my work, symbols have multiple, coinciding meanings. I prioritize my own vulnerability in the work and express ideas of comfort from my own perspective, often relying on deep colors, antique symbols, art historical jokes or references to goth subculture. The core goal of my work is to express tenderness to the viewer, to make them feel loved and cared for. I am highly influenced by fantasy and magical realism and believe that engaging with these genres can help one maintain a sense of wonder and hope. The heavy association with fairy tales, and through them folklore and fables, also resonates with the moral and emotional lessons present throughout my work. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316640219-A839173OLLXTY8L9PG7H/20230403_183520.jpg Junior Show Archive - Sascha Merryfield Cloth Mother Surrogate (Cradle Will Rock) Commerically and Naturally dyed fabric; Acrylic Paint; Cotton, Linen, and Canvas; Machine and hand stitching 22”x74” $300 For inquiry contact sascha.weatherman@gmail.com My works tie together to build a vulnerable, dream-like world where the viewer can find solace and comfort. I create spaces of non-judgement where truth, shame, and fear are embraced with open acceptance. Allusions to history often present in my work through visual clutter, collage, and layering. Accumulating sediment and collected keepsakes both show a passage of time, a displayed history where each piece must exist in relation to everything around it. These dialectic spaces mirror a complex reality and revel in the truth of ambiguity. In my work, symbols have multiple, coinciding meanings. I prioritize my own vulnerability in the work and express ideas of comfort from my own perspective, often relying on deep colors, antique symbols, art historical jokes or references to goth subculture. The core goal of my work is to express tenderness to the viewer, to make them feel loved and cared for. I am highly influenced by fantasy and magical realism and believe that engaging with these genres can help one maintain a sense of wonder and hope. The heavy association with fairy tales, and through them folklore and fables, also resonates with the moral and emotional lessons present throughout my work. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316653871-A78LE7D5QEBC2NET80K0/20230403_183537.jpg Junior Show Archive - Sascha Merryfield Cloth Mother Surrogate (Cradle Will Rock) Commerically and Naturally dyed fabric; Acrylic Paint; Cotton, Linen, and Canvas; Machine and hand stitching 22”x74” $300 For inquiry contact sascha.weatherman@gmail.com My works tie together to build a vulnerable, dream-like world where the viewer can find solace and comfort. I create spaces of non-judgement where truth, shame, and fear are embraced with open acceptance. Allusions to history often present in my work through visual clutter, collage, and layering. Accumulating sediment and collected keepsakes both show a passage of time, a displayed history where each piece must exist in relation to everything around it. These dialectic spaces mirror a complex reality and revel in the truth of ambiguity. In my work, symbols have multiple, coinciding meanings. I prioritize my own vulnerability in the work and express ideas of comfort from my own perspective, often relying on deep colors, antique symbols, art historical jokes or references to goth subculture. The core goal of my work is to express tenderness to the viewer, to make them feel loved and cared for. I am highly influenced by fantasy and magical realism and believe that engaging with these genres can help one maintain a sense of wonder and hope. The heavy association with fairy tales, and through them folklore and fables, also resonates with the moral and emotional lessons present throughout my work. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681352328695-4P34BIJYFMW0WQAVAVML/DSC_0344.jpg Junior Show Archive - Leah Clemons Abaca, Reed, and Ink Abaca, India Ink, Marbling Ink, Screen Printed Fabric, Reed, Wire Variable Dimensions NFS I let my intuition lead my hands. The placement of forms are pure subconscious directions. When taking a step back, the shadows connect what cannot be seen. What I cannot consciously think. Relationships are created by the outreaching shadows not just within the forms themselves. I encourage viewers to step back and not only see the relationships made in the conscious, but to also see the shadows that are made through the subconscious. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681352336251-8UJ3B6MWY7A2ZQT7GZDH/DSC_0357.jpg Junior Show Archive - Leah Clemons Abaca, Reed, and Ink Abaca, India Ink, Marbling Ink, Screen Printed Fabric, Reed, Wire Variable Dimensions NFS I let my intuition lead my hands. The placement of forms are pure subconscious directions. When taking a step back, the shadows connect what cannot be seen. What I cannot consciously think. Relationships are created by the outreaching shadows not just within the forms themselves. I encourage viewers to step back and not only see the relationships made in the conscious, but to also see the shadows that are made through the subconscious. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681352327833-RBZS67QAL9J1DMS2WWI4/DSC_0333.jpg Junior Show Archive - Leah Clemons Abaca, Reed, and Ink Abaca, India Ink, Marbling Ink, Screen Printed Fabric, Reed, Wire Variable Dimensions NFS I let my intuition lead my hands. The placement of forms are pure subconscious directions. When taking a step back, the shadows connect what cannot be seen. What I cannot consciously think. Relationships are created by the outreaching shadows not just within the forms themselves. I encourage viewers to step back and not only see the relationships made in the conscious, but to also see the shadows that are made through the subconscious. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681316639819-IZTRNRTEOOW75GCHL0Y5/boy2instllation.png Junior Show Archive - Cole Vacek This is Where I Go to Be a Boy, 2 Metal, Spray Paint, Sand, Projection 96”x135”x42” NFS For inquiry contact cvacek@kcai.edu Instagram: @coco107 When I was six years old, just starting kindergarten, I had an undeniable urge to “grow up.” Today, I look back to the photo of me standing on a dirt pile and compare it to the pictures of me now, standing atop a limestone mountain. While then desperate to mature, today, I am doing everything to preserve my youth. My work asks the question, “where do I go to be a child?” I have realized that for me, growing up as we know it is truly a waste of time. What is most important in this world is to have spaces and support to play and truly be jubilant, expressive, and accepted. I have engaged with this idea by creating objects, images, and spaces through imagination, observation, and conversation. Ultimately, I am creating my personal, playful manifesto. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1681323090131-FPS4PCZ7ROGXIVG3Z55R/maria+jpg.jpg Junior Show Archive - Maria Politis The Campaign Map As I Know It Minky, velour, upholstery fabric, fleece, miscellaneous scraps 85x45 NFS For inquiry contact mpolitis@kcai.edu The hex map and all the other thinking that has gone into the current body of work titled “Party of One” is more and more a metaphor for the tensions I face in my inner and interpersonal life. It’s a flat, soft, colorful rendering of an imagined, varied geological landscape. It represents most literally how something that exists in such fluid, vivid detail in the mind finds physical representation in the real world in a miniature and abridged format, often from a limited perspective or angle. It’s seeing an ecosystem be stomped into a static picture. In regards to material, I let most of my fabric choices be led first by hand, then by eye. I’m in pursuit of an illusive quality of softer and softer things. As I cry out to the universe for spiritual comfort, I delight in the discovery of things that feel softer than what I’m used to, or softer in a way I’ve not encountered before. It’s like a confirmation that somewhere in a universe of constant abrasion, disappointment, and emotional chafing, beds exist. Places to lay flat on one’s back, and gaze up into the endlessness of things as opposed to down the winding, dead end tunnels I feel pushed into both by loved ones and total strangers. I struggle now to describe all that this map means or could mean because I am caught in a moment where I have great difficulty positioning my sense of self in any particular spot with any certainty. I engage in staredowns with the clock so that time will stop ticking by while I pray for it all to hurry up and end. These days I’m in the valleys of fault lines between the extremes I embody simultaneously. Always starving with no appetite, lonely and craving further isolation from even the company of my own mind, rapturous and hollowed out by the same thoughts. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/51006b34-c68c-4cb2-a39f-bb237aa644a4/junior-postcard-2.png Junior Show Archive Illustration by Eric Frank https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587507511-0Y466F9L4VCT1E6BJMLF/orangepeel1copy+-+Erica+Alexander.jpg Junior Show Archive - Erica Alexander Everything I Know About Love Naturally dyed cotton and linen, sashiko thread 72” x 54” NFS For inquiries contact: ealexander@students.kcai.edu In the same way I take time to focus on repeating breaths or thoughts through meditation, my work uses repetition as a way of centering my attention. I experiment in quilting, hand-stitching, and natural dye. Whether it is repeated hand stitches, hand printed patterns or interlocking forms, I find joy and am grounded by things that are slow and recurrent. An approach to mindfulness in my craft is something I value and is seen through the materials I use. I use natural fibers along with dyes from plants, insects, and minerals to provide me with a healthier, sustainable practice and an organic color palette. The process of natural dyeing, from preparing the fabric to creating a dye bath to dyeing the fiber, helps me slow down and reflect. The same thing is true for hand stitching. There is something beautifully intimate about spending so much time with a piece of cloth and embedding visible evidence of my hands at work. I am inspired by traditional quilts and the generations of women who have participated in this craft before me. I see myself as one of many in this ancestry of quilters and I represent that through my repeated patterns. The slow act of making by hand brings my awareness to the mundane and slow parts of life and I invite others to share in this ritual. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587539745-UZ06K6V51HI0SJU2KAPX/orangepeel1detailcopy+-+Erica+Alexander.jpg Junior Show Archive - Erica Alexander Everything I Know About Love (detail) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587561996-SU5MJKASTSEYRQSJ44NS/BenAsburyIndigo+-+Benjamin+Asbury.jpg Junior Show Archive - Ben Asbury vertical banners Indigo dipped textiles, clay resist 44” x 18”(outside panels), 62” x 26”(center panel) $30 each $200 for all For inquires contact: basbury@students.kcai.edu As an artist, I find creative making to be the most efficient form of expressive communication. Many of my artistic decisions are based on personal research and life experiences. The form or medium is usually decided through that discovery. Drawing inspiration from the visuality of my environment, I find tranquility in contemplation and observation. Working with materials that I can harvest or process myself is fundamental to my current practice. I intend to express a sense of connection between my sensibility of the world, and the environment we share. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587581629-HSQPXB4EH0LJ25K3AHYE/BenAsburyIndigoClose+-+Benjamin+Asbury.jpg Junior Show Archive - Ben Asbury vertical banners (detail) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712758186741-JWVRGBCO4FOY6IP963RW/twinklestar24-1.jpg Junior Show Archive - Katie Nisha Boyd Twinkle Little Star Hand dyed satin, cotton, silk organza, quilted 36.25" x 26.25" $500 For inquiries contact: kboyd@students.kcai.edu My artwork and studio practice usually revolves around my feelings attached to memory, concerns connected to history, or reactions to a more personal experience. When I began as an artist I focused on societal biases and personal explorations of self worth; this is now a continuing theme in all of my practice. My work usually involves the fiber arts and can range from sculptural, 2D wall art, and costuming. For me, there is something special about the meditative, tactile process of fiber and the artwork always has an intimacy that I feel strongest in this medium. This includes hand-dyeing, sewing, embroidery, and garment construction. Working with my hands lifts my digital fatigue which is nearly unavoidable in our current society and is quickly becoming more universally relatable to my audience. Such abrasive themes like mental health, erasure with time, and personal fears instantly become softened in the materiality of the work making it easily approachable. My hope is that onlookers can easily engage with my art and it creates a space to speak comfortably. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712758198905-I37YPLU9L7FXJEOVLBA9/twinnklestar24-2.jpg Junior Show Archive - Katie Boyd Twinkle Little Star (detail) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587597758-S69YD8058E7DM2GQPW6S/Fullweaving+copy+-+Madeline+Farinas+De+Leon.jpg Junior Show Archive - Madeline Farinas de Leon Há amizades que duram para sempre. double width-double weave, T-shirts from another time, and cotton 12' x 5' NFS For inquiries contact: mfarinasdeleon@students.kcai.edu My body of work is like staying up late at a sleepover until you find everything funny. It is reading for days and never feeling tired. It is also being tired all the time. Maybe from seeking the bubbles of ridiculousness in life. Maybe from the days when they’re harder to find. It always comes up with something, though. My work has an inability to leave without saying goodbye. It stays on the boat just to avoid returning to the island. Yet, it knows who all the squirrels are and where the bunnies live. Essentially my work has an owl’s neck. It looks in all directions, and never stops turning. My body of work is absurd and serious, (usually at the same time, but not always) it observes and questions everything because my practice is invested in resilience. One does not find grit without wading through. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587615624-4FR5WB503P8LJWHM4F6A/upwarddetail+-+Madeline+Farinas+De+Leon.jpg Junior Show Archive - Madeline Farinas de Leon Há amizades que duram para sempre. (detail) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587639817-FB5Z7YZL4M2MOJGCZ1Q2/JuniorShowFull+-+Najm+Habib.jpg Junior Show Archive - Najm Habib Please Speak Softly, I Am Sleeping Polyester minky fabric, embroidery 6"x42"x10" NFS For inquiries contact: shabib@students.kcai.edu A desire to appeal to the small animal of the body is what rules my art, and it is a focus on the animal that anchors most of my work. I am predominantly interested in the natural world and our place in it. Connecting my audience to non-human subjects in shared experiences is a way for me to lay bare what I love. Please Speak Softly, I Am Sleeping is one such expression of love. American martens bring me tremendous joy, and so, I’ve made a sculpture rooted in sensory comfort. The marten is perfectly sized to be held against my torso, weights in the head, forepaws, abdomen, and tail ensures that she drapes pleasantly. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587661212-9NH73WO3RG5SYBO15SF2/JuniorShowDetail+-+Najm+Habib.jpg Junior Show Archive - Najm Habib Please Speak Softly, I Am Sleeping (detail) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587680542-2GHTU11EL94YYMXV31DO/Junior+Show+Photos+copy+-+Kelsie+Kirkland.jpg Junior Show Archive - Kelsie Kirkland Pearls & Tweed Tweed, Rayon, Cotton/Poly Thread, Plastic Pearls, and Lace Unknown NFS For inquiries contact: kkirkland@students.kcai.edu My name is Kelsie Kirkland and I am a fiber and illustrator artist. My favorite things to draw are people and clothing designs, and to incorporate storytelling and narrative within her work. For example, she can create wearable clothes that can be seen on the streets, or she can make an abstract fiber work. I also enjoy drawing illustrations and comic art and try to replicate those looks in dimensional art. Japanese and 18th-century art has been influential on the artist’s style. Color has also been a big part of my portfolio because I believe color can help push the narrative by using color. I really like to experiment with my artwork and see how far I can go with my artwork. It’s also really fun to create something that I can turn an idea into an actual and three dimensional piece of work. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587691764-9MNJZNNQMQVZDP84SVBH/Junior+Show+Photos_DETAIL_PHOTO+-+Kelsie+Kirkland.jpg Junior Show Archive - Kelsie Kirkland Pearls & Tweed (detail) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587714485-RDNWPA4MDN40DTRG9JXR/APT302+-+Antonella+Labrozzi.jpg Junior Show Archive - Antonella Labrozzi APT 302 acrylic paint on canvas 72" x 66" NFS For inquiries contact: alabrozzi@students.kcai.edu My artistic practice delves into topics of identity, adornment, vulnerability, pain and sympathy. I recontextualize everyday objects to express ideas of attachment, routine, relatability and the mundane. Processes such as painting, readymades, photography and collage highlight these objects to speak on the impact our surroundings have in our lives. My work represents my personal experience and allows others to respond according to their own by opening a conversation about what it means to be part of the human condition. APT 302 is an extension of myself and represents part of my day-to-day life. It captures the relief of stepping into home yet represents the fatigue it takes to allow oneself rest. As rest becomes a radical practice in modern systems, the piece serves as a moment of breath reminding the viewer to slow down. The piece expresses mood and tone through the use of color, space and draping. Its unfinished nature speaks to ephemera and passing memories as labor and physical exertion warrant home as a transitional space rather than a lasting place to rest. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587725732-ZL5GVEEZLDYCRQPNSNT2/APT302-DETAIL+-+Antonella+Labrozzi.jpg Junior Show Archive - Antonella Labrozzi APT 302 (detail) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1713021056303-V7OK4ORPXDKAHS9JONTJ/IMG_0295+-+Nathaniel+Lanzarin.jpeg Junior Show Archive - Nathaniel Lanzarin Delicados Hand dyed cotton 50” x 40” NFS For inquiries contact: nlanzarin@students.kcai.edu I make work about my past and current life experiences as a way to process my feelings, and reach a state of catharsis. While my main focus is to provide comfort for myself, I hope those who share the same struggle can relate. I approach my personal experiences with childhood neglect, generational trauma, untreated physical and mental illness in a broad enough manner that even people who wouldn't exactly relate can interpret things in a way that can provide them the same comfort I am searching for. Coming from a working immigrant family, I spent a lot of time on my own while my parents were away working for long hours. I find myself still holding onto the visual and tactile information that surrounded me and brought me comfort back then. Things like bright saturated colors and bold patterns, the soft furs of stuffed animals, animated stylizations of animals and people in cartoons / comics, and the vastly different blues of the seas I grew up close to. These things play major inspiring roles in my work when considering material, compositions and color palettes for my work. Delicados is a quilt titled after a word my mom has used to describe both my dad and I, meaning sensitive or delicate. It’s the first quilt I’ve ever made and it explores color, pattern and storytelling using machine applique and embroidery. The cat representing me and the scorpion representing my dad echo each other through the long-arm quilting patterns. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1713021062686-WULQ7D540STVI7RBKYIM/IMG_0296+-+Nathaniel+Lanzarin.jpeg Junior Show Archive - Nathaniel Lanzarin Delicados (detail) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587746116-ZLVV3PRQFFO43XPAQU5Q/Vanessa+Navia+Fabric+Collage+-+Vanessa+Navia.jpg Junior Show Archive - Vanessa Navia i’m playing and jumping and breathing Various collaged and hand dyed fabric stitched together with block printed, embroidered, beaded and crocheted elements 60" x 43" $35 each For inquiries contact: vnavia@students.kcai.edu When I make art, my only goal is to play with the medium that I’m engaged in. I appreciate the experience of creating and the joy of creation itself. When I begin a piece, I don’t desire or expect an outcome, but instead, I seek to experience the process of making something new. I enter my art without expectations, rather I get to appreciate the journey that each piece takes me through. My work is a bridge to the freedom I felt in my childhood and the joy I felt playing with art. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587757447-9F3QTE0BIGAPM9VFR1EG/Vanessa+Navia+Fabric+Collage+Close+Up+1+-+Vanessa+Navia.jpg Junior Show Archive - Vanessa Navia i’m playing and jumping and breathing (detail) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587770803-FKQWY14S7CANCYT4940R/IMG_4091+-+Cherline+Philogene.jpeg Junior Show Archive - Cherline Philogene blue interstices machine knitted hand manipulated 6ft x 2ft per panel/ 4ft x 6ft whole $450.00 for all 3 For inquiries contact: cphilogene@students.kcai.edu My work brings a presence to absent truths. Employing materials such as wool and yarn I create immersive wet felt and knitting installations. Through this way of working I explore my Haitian heritage, third-world feminism, and the socio political aspects of neocolonialism. My work considers the aspects of feminism, colonialism, imperialism and the ways these factors affect influenced our shared perspectives. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712587784516-CTQ0SPHHRWZA3SLB69Q1/IMG_4095+-+Cherline+Philogene.jpeg Junior Show Archive - Cherline Philogene blue interstices (detail) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712590757086-N8SMJTM3DW7WZS8K1I63/Screenshot+2024-04-08+at+8.56.50+AM+-+Edmundo+Tellez+Giron.png Junior Show Archive - Oasis Tellez Giron Not A Party. Recovered CRT TV. Video editing Collage, DJ set. 42x42x42 NFS For inquiries contact: etellezgiron@students.kcai.edu Inbox & Co is an experience. As an artist, I attempt to defy the confines of conventional categorization, utilizing a diverse array of mediums to craft narratives that provoke thought and incite meaningful discourse. While fiber art serves as a foundational element of my practice, my exploration extends beyond traditional boundaries, encompassing realms such as audio, video production, and graphic design. Ultimately, my art serves as a catalyst for dialogue and reflection, inviting viewers to reconsider familiar concepts from a different perspective. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1712595700580-E9MXE96Y22SJD737CVXH/Screenshot+2024-04-08+at+11.04.48+AM.png Junior Show Archive - Oasis Tellez Giron Not A Party. (detail) https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1713020782927-UDZ1A1KBYXRJD135GHX2/FBonbody18WB.jpg Junior Show Archive - Aeddon Wegrzyn-Van Zant Please Don't Try to Talk to Me About Football Hand dyed silk gauze, silk habotai, muslin and linen 23 x 21 x 10 $400 For inquiries contact: awegrzynvanzant@students.kcai.edu Growing up I always hated wearing hand-me-downs and shopping at thrift stores, so much so I broke child-labor laws to afford my own clothes. I experienced the choiceless monotony and exploitation of the working class at a young age and I was constantly aware of the disparity of wealth between myself and my classmates. In an attempt to deconstruct the impact of my experiences growing up in a working class environment I explore my past through hand made garments. I draw inspiration from various utilitarian garments, ranging from military uniforms,to blue-collar workwear, as well as sportswear. I choose these utilitarian garments as my medium because of the strong iconographic associations they hold and in referencing them I aim to subvert the conventional association embedded in these garments. By taking the overall shapes, minor details, or essential features of these garments and expanding upon them I reclaim them from their original meanings and give them new meaning through self expression and exploration, taking both myself and the work beyond its utilitarian roots. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1713020947483-9DMWV37ZMSXA2J2A69YN/FBonbody15WB.jpg Junior Show Archive - Aeddon Wegrzyn Van-Zant Please Don’t Try to Talk to Me About Football (detail) http://www.kcaifiber.com/new-cover-page daily 1.0 2021-10-21 http://www.kcaifiber.com/new-page daily 0.75 2025-08-05 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1550162922713-WIB6NJ9PM72TX2TRQOPP/Fiber_SeniorArchive.jpg Senior Books https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/65e3909e-124d-4237-897f-c628f82316ea/Pages+from+SENIORS_2024+_+Final+Book.pdf.jpg Senior Books - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/05190285-51dc-4da3-a698-7875e5c74270/Pages+from+SENIORS_2023_Final+Book.pdf.jpg Senior Books - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/2aee4291-d58a-414b-8ca9-eb10cad8d49a/Pages+from+SENIORS_2022_Final+Book.pdf.jpg Senior Books - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/0a1deea2-6838-4d08-9ac2-edb5c1336b74/Pages+from+SENIORS_2021_Final+Book.pdf.jpg Senior Books - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1588427470961-KGU49W59EV1LG4V43GWV/2020_Senior+Book.jpg Senior Books https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1588427424544-N8JHG8BGLR9QA7WLZUYF/2019_Senior+Book.jpg Senior Books https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1549989192440-J5CK8Q5O58AMFPPV8XFR/2018_Senior+Book.jpg Senior Books https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1538066242777-APY0YMM2PF1BYYVVBZQ7/SENIORS+_+2017+.jpg Senior Books https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1502422475089-CVU5AD3TH4I22922Z0OS/internal+cover+page_senior+book+2016.jpg Senior Books https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480306424547-GVZDP7DBX8VMEYTW2IAH/gray_type_live.12.png Senior Books https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480271633245-G33GRUCO8KGEGPSXZ72N/SENIORS+%7C+2015%7C+FINAL+BOOK+2.jpg Senior Books https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480306431052-BRL07XH7VZDWEFLNC1X3/gray_type_live.11.png Senior Books https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480271644680-LWSN9K6QZ0T4BQWQZXVU/SENIORS+%7C+2014%7C+FINAL+BOOK+2.jpg Senior Books https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480306435280-OHXY9I3YNG5BPAGZ0LUJ/gray_type_live.10.png Senior Books https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480306400512-Z04WZWNSTN3PSWMGP49Y/image-asset.png Senior Books https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1480306439113-1UE6KHN0J9S1E8Z9EPSA/gray_type_live.09.png Senior Books http://www.kcaifiber.com/curriculum daily 0.75 2025-09-29 https://images.squarespace-cdn.com/content/v1/57eb16f9e6f2e1db2854409d/1588644096759-AQ6Q18SD9LRE5JWODUT9/IMG_5165.jpeg Curriculum